Andrew Carnegie and his Library Legacy - by Barbara Henderson

I for one visit my library regularly. I was there this morning, in fact, editing my current manuscript. I borrow books, I use the reference section. 

Let’s be clear about one thing: without access to libraries, I may never have become a reader. I certainly wouldn’t have obtained a degree, let alone become a writer. I owe libraries a LOT!

 A postcard of the original Carnegie Library in Dunfermline

A key setting in the manuscript I was editing is the Victorian Carnegie Library in Dunfermline in Scotland. I cannot think of a person with a more significant library-legacy than Andrew Carnegie, the founder and funder of that first Carnegie library, and then, wait for it, over 2500 more around the world!

Andrew Carnegie

Andrew Carnegie was born in Dunfermline in 1835. His family home there was a humble weaver’s cottage, now home to the Andrew Carnegie Birthplace Museum. In 1848 when Andrew was 12 years old, the Carnegie family emigrated from Scotland to the New World - the United States of America.

The young Andrew began his working life as a messenger in a Telegraph Company. Always keen to seek opportunities to better himself, he soon progressed to telegraph operator after teaching himself Morse Code. Later he became personal assistant to the Superintendent of the Pennsylvania Railroad Company, rising to the post of Superintendent himself in 1859.

Carnegie was a skilled businessman, investing wisely in a range of industries such as oil and steel. Soon, the Carnegie Steel Company dominated the market in America and morphed into a billion-dollar company – the first company anywhere to do so.

Andrew Carnegie was not only incredibly wealthy, but he hadn’t forgotten his humble roots. His urge to learn had resulted in unprecedented success – now Carnegie wanted to give back by offering the opportunity of a better life to the people of his hometown back in Scotland. The libraries he was able to use as a young man had enabled him to gain new skills and make something of himself. Perhaps it is not surprising that he chose libraries as his vehicle to do good, a pioneer of philanthropy.

To say it in his own words: ‘No millionaire will go wrong… who chooses to establish a free library in any community that is willing to maintain and develop it’.

However, Dunfermline was only the beginning: the following years saw a growing number of free-to-access public libraries on both sides of the Atlantic. Dunfermline’s Carnegie Library was first, opening its doors to the public in August 1883. All it took was an £8,000 grant donated by Carnegie while the rest was raised by taxation through the Public Libraries (Scotland) Act.

I loved learning about the first library for my manuscript, Rivet Boy, due out from Cranachan Publishing in February 2023. The first librarian there was an Edinburgh bookbinder named Mr Alexander Peebles who was chosen from more than 250 applicants and who lived in the flat above the library, aided in his work by a single assistant. More than 2000 volumes were issued on the very first day of its opening. 

The Carnegie library, now combined into a gallery and museum,
still takes pride of place in Dunfermline's centre 

The combination of public money and Carnegie-backed funding proved a popular finance route to other libraries for decades to come, often ornate and impressive buildings like the Central Library in Edinburgh.

Even now, nothing quite beats walking into a building filled with books for me. The smell, the heavy extravagance of knowledge and imagination, billions of letters and words on millions of pages in thousands and thousands of volumes. It’s rare for me to come across snippets of knowledge I hadn’t searched for on the internet, but such is the richness of a library that we can’t underestimate its value – something always, always catches my eye unexpectedly. Libraries almost everywhere are now under threat. I am sure Carnegie would have a word or two to say about that, and so should we.

What was the impression this new library might have made on a young boy, aged 12, just the same age as Andrew Carnegie was when he arrived in the U.S?

We can only guess.  

 

Barbara outside the old entrance to the building

Barbara Henderson is the author of seven historical books for children, six are published by Cranachan, her most recent - The Reluctant Rebel is published by Luath Press. She has won the Historical Association's Young Quills Award for Historical Fiction for Children in 2021 and 2022.

Find out more at barbarahenderson.co.uk

 

The Chessmen Thief: Action scenes and how to write them - by Barbara Henderson

Viking stories are exciting, aren’t they? All that fighting and pillaging and exploring. And who doesn’t love a Viking ship? Sleek and iconic, we tend to think of them as pulling into some bay or harbour and wreaking havoc in nearby villages and settlements. We sometimes forget that they were also often attacked by others at sea – they definitely lived a dangerous life! One of the great things about historical fiction is that the stakes are often so high – with no rescue service, or hospitals, or mobile phones. Basically, life was a lot more dangerous in the centuries gone by.

 

A viking ship (Illustration by Annie Glennie)

When my Viking book The Chessmen Thief was sent off to the printers, I asked my editor: ‘Now that we’re done, can you tell me – which part of the book do you actually like best?’

She thought for a moment. ‘The action scenes,’ she answered simply.

‘Me too.’

It’s true: a memorable action scene works like a quick turbocharge of energy, giving your story new momentum.

I am not suggesting that I am an expert at all – there are far more talented and experienced authors for children around. But I am more than happy to share what I have learned so far. Ladies and gentlemen, for what it’s worth, here is how an action scene should work. I am drawing on chapters 13 and 14 of The Chessmen Thief to show what I mean. 😊

To give you some context, Kylan (my slave boy and protagonist) is on a Viking longship sailing from Norway to Scotland with his boss, Jarl Magnus.

Step 1: You need one or two sentences of calm atmosphere. Then introduce the threat.

When the wind picks up and carries us in the exact direction we want to go, we step away from the oars and relax. I climb the first level of the mast where I like it the best. No one judges me there or asks me questions.

Until I see it in the distance. Unmistakeable: another vessel, making straight for us.

 

 The Chessmen pieces at the British Museum that inspired my book

Step 2: Take a moment to describe your character’s reaction. It works best if the other characters do not recognise the danger. This technique is called dramatic irony – the reader understands more than most of the characters do, which makes for great tension.

My stomach tumbles and my lungs do something they have never done before: refuse to inhale and exhale. Instead, a strange kind of panting is all I am capable of, with the weight of all the oceans in the world on my heart.

‘Raiders!’ I shout, but all that emerges from my throat is a croak. The men below are singing and sharing a quick horn of ale before their muscle power is required again. ‘Raiders!’ I yell, a little louder, but still no one pays me any heed.

Step 3: Crank up the jeopardy. The reader needs to understand what is at stake.

As the ship approaches, I can see the straggly beards of men who have lived long apart from any kind of company. Their swords are rusty but sharp. There are spears, axes and halberds, and all manner of weapons.

At the front, almost leaning over the hull of their galley, are three raiders with coils of rope around their bodies, ready to throw weighted hooks across—and only now do I see what the front of their ship is made of! It’s not water glistening on the wood—it is reinforced with iron spikes, and they mean to ram us! ‘TURN THE SHIP!’ I yell down with all my might.

Step 4: Give your protagonist something to do.

Suddenly, I am pulled off my feet backwards, the huge hand of the Jarl on my shoulder. ‘Here, boy!’ He thrusts something into my hand, slicing into my palm a little as he does: a dagger, and oh Lord, it is sharp!

The beautiful Isle of Lewis where the chessmen were found

Step 5: The best action scenes have a brave protagonist.

With a terrible clang, a huge metal hook lands over the side of our ship, a rope attached. It tautens almost immediately: the raiders are pulling our ship towards theirs, weapons in hand.

Our men scatter and take refuge, but something possesses me to do exactly the opposite. Darting to avoid the missiles and arrows, I run towards the hooks and slash at the rope attaching the ships to one another.

Number 6: You can’t beat a cliffhanger.

With a final gasping effort, this rope, too, snaps. The enemy ship is only two horse-lengths away. Soon a warrior of strength and stature will be able to jump. Oh no: they are readying themselves!

But then something happens that I have not foreseen. Behind me, there is a commotion; a box is knocked over, heavy footfalls thud on the deck. And then, right past me, Jarl Magnus raises his shield as he runs, mounts the gunwale and, literally, leaps into the air over the whirling waves.

Number 7: Know when to stop.

Relentless action scenes can be exhausting to read. Follow any action scene with a chapter or so of calm – your readers need a break. Let them have it! Once everyone is safe, my protagonist Kylan is going to spend the next chapter learning to play chess!

Writing Task:

Now have a go at writing your own action scene set on a Viking ship. It doesn’t have to be an attack – how about a storm, or a whirlpool, or a shipwreck? Plenty more dangers to invent. I’d love to see what you come up with!

The Chessmen Thief is a Viking adventure inspired by the iconic Lewis Chessmen which you can see at the British Museum, The National Museum of Scotland and The Museum nan Eilean on the Isle of Lewis. The famous hoard of walrus-ivory-carved chess pieces was found in the Outer Hebrides in 1831, but the figures were likely carved in Trondheim in Norway during the second half of the 12^th Century. If they came to Scotland soon after, they are likely to have travelled by sea in a Viking/Norse ship. Some Viking ships actually survive to this day and can be viewed in a museum in Oslo.

Barbara's books are published by Cranachan. They are available from bookshops and online retailers.

 

Barbara Henderson

For more information about Barbara's books visit barbarahenderson.co.uk

Follow Barbara @scattyscribbler