Showing posts with label Chicken House. Show all posts
Showing posts with label Chicken House. Show all posts

Wednesday 4 May 2022

Bletchley Park special by guest author Alison Weatherby

Secrets. 

We all have them. Some are small – when you’ve eaten your little brother or sister’s sweets or bought a surprise for your mum’s upcoming birthday. Others are so big they involve tons of people and sit at the back of your mind always. When I was young, I blurted out my sister’s birthday gift casually, a coveted doll my mother had driven miles away to buy. I’ve always been lousy at secrets, especially when they’re juicy. Thankfully, most people know that and don’t ask me to keep them for very long.

But what if you had to keep a secret for decades, one that was so big, it involved secret codes and massive machines, life-saving decryptions and even spies? Could you do it? 

Bletchley Park

That was one of the first questions I had when I visited Bletchley Park, Britain’s headquarters for codebreaking during WW2. Workers from the Government Code and Cipher School moved to Bletchley before the war started with the primary goal of assembling a team to break the cipher the Germans were using to keep their radio communications secret. This cipher, called Enigma, had many variations and was considered “unbreakable.” Bletchley recruited some of the top minds -- including linguists and mathematicians, chess champions and historians, students from Oxford and Cambridge – to help break Enigma. But before any person could start work at Bletchley, they had to sign something called the Official Secrets Act.

The Official Secrets Act stated, essentially, that no one could tell anyone anything about what they did at Bletchley. This meant workers couldn’t tell their parents what they did all day, or chat with their co-workers about what they were doing over lunch in the canteen. And because no one knew what other people at Bletchley did, they never knew if their decrypts were successful or what part their work played in the war effort. Very few photographs were taken and, when Bletchley closed its doors after the war, buildings were left to ruin and records were destroyed. People still had to keep their lips sealed for decades after. In spite of this, the workers at Bletchley helped immensely with the war effort. It’s said that their efforts shortened WW2 by at least two years. 


 Decoded messages

But in spite of this great secret, the employees at Bletchley worked hard. Whether it was trying to figure out clues to the encoded messages, operating the loud, hot machines that helped decode messages, or archiving information to for future messages. Thankfully, the workers at Bletchley also had time off, where they were able to relax. They certainly had a lot of fun – putting on plays, cycling through the countryside, taking the train into London – because they needed the relief from their high-pressure jobs.

When I set out to write The Secrets Act (and yes, the title is inspired by the Official Secrets Act), I knew I wanted the book to focus on two things – friendship and secrets. I was fascinated by the idea of two friends working together, yet not able to tell each other anything about what they did or saw or heard. Most of the workers were women – 75% of wartime employees were young women – and they worked long hours, around the clock. And because Bletchley grew so quickly, the hastily constructed huts where they worked were draughty, cold, and damp, with heaters that often smelled or spat out smoke. I couldn’t imagine working in such a place and being alone and away from home for the first time, as it was for many of the girls. 


The radio used in the wireless listening stations.

I realized rather quickly, though, that if everyone obeyed the Official Secrets Act and kept mum about what they did, my story would be rather boring. That’s why I based my character, Pearl, on a real worker at Bletchley, the youngest employee at the Park. Pearl was based on a 14-year-old messenger who took memos and communications from office to office, hut to hut. And while I’m sure the real messenger at Bletchley didn’t spill any secrets, I knew Pearl would not be so careful. I needed her to hear and see things, to be unable to resist the eavesdropping so that she knew the bigger picture of what was happening at Bletchley. Ellen took shape from a few accounts of girls who had been recruited to the Park because of their academic achievements. 

 

The lake at Bletchley Park

Many girls were interviewed or given puzzles and quizzes before being asked to join the war effort, then sent to Bletchley with no idea what they’d be doing or what Bletchley was. Though I couldn’t imagine getting on a train to some unknown destination, girls like Ellen were excited by the opportunity to help their country through employment that was previously reserved for men.

But as I put all these characters together against the fascinating backdrop of Bletchley Park, I wondered, what secrets would I keep? What would you do if ordered to keep your entire life a secret? Would you tell? Even one person?


Alison grew up all over the USA as a child, moving to five different states before she was 13. Now she lives south of Dublin with her husband, two daughters and very naughty dog. Alison has worked in computers and technology her entire life, but has always loved writing stories for children, mostly because her favorite books are those she remembers from her childhood.

 

After being discovered in Chicken House’s Open Coop competition in 2020, The Secrets Act was published by Chicken House in January 2022. A historical mystery for teens, The Secrets Act follows two friends and workers at Bletchley Park during WW2, whose lives are turned upside down after a tragic incident that uncovers many dangerous secrets.

Instagram @alisonweatherbyauthor

twitter @aliwea

Find out more about Bletchley Park at https://bletchleypark.org.uk/

Sunday 27 February 2022

World Book Day special - How to get published by Susan Brownrigg

This week on the Time Tunnellers blog we look at the different stages a book goes through from manuscript to bookshelf!

How do books end up bookshelves?

How do you find a publisher for your book? by Susan Brownrigg

So you've finished writing your novel - Congratulations! Make sure you celebrate this amazing moment because it can be a bumpy road to publication for writers.

What next? Have you edited your book or is it still a first draft? Writers will often re-read their book many, many times looking for spelling mistakes, errors, plot holes and ways to make their writing brighter and tighter! 

It is of course very hard to spot all your mistakes or to see where readers might get confused by your story. This is where it can be great advice to find someone you trust to read your book and give you honest feedback.

Think carefully about who you ask to do your 'beta read' - a family member may tell you 'I loved it. It's perfect,' because they love you, think you are incredibly clever for finishing a book (you are!) 

A good place to get honest feedback is at a writing group.

If you write for children/young adults like the Time Tunnellers there is the Society of Children's Books Writers and Illustrators (SCBWI.)

Once you have your edited book it will be ready for submission. This is what sending your book to an agent or publisher for them to read and consider is called.

Most publishers will not accept unsolicited submissions direct from authors - this means if they have not asked you to send your book they do not want to see it.

Beware of any publishers who want you to pay towards the cost of the publication - this is called vanity publishing. If you are unsure about a contract offer, you can join the Society of Authors who will offer you free legal advice. 

So many authors will try to find an agent who will represent them.  Agents pick the very best books (often the ones they think are very commercial - e.g will sell in big numbers!) they are sent (from the 'slushpile.'. They will then submit the book to editors they think will like the book as much as they do.

Agents take a cut of the money the author is paid, usually 15%.

Agents are very busy people and they haven't time to read everyone's complete manuscript, so most will only want to read the first three chapters and a synopsis (usually a one page breakdown of the entire plot.) You can find a list of agents and publishers in the Writers & Artists Yearbook and by doing a google search.


Agents and publishers will often have a page on their website that gives precise details on how to submit to them. Make sure you follow them to the letter. 

Some agents and publishers have certain dates when they are open or closed to submissions. Look out for competitions too as they can offer publication as a prize or an opportunities to meet with agents and/or editors. Examples include SCBWI's Undiscovered Voices competition and Slushpile challenges and publisher Chicken House's annual competition and 'open coop' submission day.

You will need to include a covering letter - make sure you address it to the agent by name and not Dear Sir! Your letter should explain what your book is about, how long it is, what type (genre) it is e.g sci fi or mystery and why you wrote the book - especially if you have a personal connection to the theme. When submitting my book Gracie Fairshaw and the Mysterious Guest I wrote about my love of Blackpool, and explained that Gracie has limb difference like my great grandfather. 

As I mentioned earlier, agents are very busy and often they will state that if they have not replied withing 8 weeks then they are not interested in representing you. If you do get a reply, it may well be a rejection, and often a standard or 'form' letter. 

 

Some of my rejection letters

If your reply includes comments specific to your story you may want to follow the advice given if it resonates with you.

Some writers are lucky and get a yes the first time they submit their books, but many more successful authors received lots of rejections before their first book was accepted for publication. 

I clocked up lots of rejections for five books before I was offered a publishing deal by Uclan Publishing. 

Writers need lots of resilience and perseverence if they want to become an author - but dreams can come true! 


The Time Tunnellers are five authors who write historical novels for
children and young adults -
Susan Brownrigg, Barbara Henderson, Catherine Randall,
Ally Sherrick and Jeannie Waudby.
Every Thursday we share a new blog article on a different topic
and a youtube video with a writing challenge for young people and teachers.

Using the setting in your writing as another character with Ruth Estevez

  Most of my books are set in my native Yorkshire, and knowing the landscape intimately, means I can describe it with the love I have for ...