The history of glass by Susan Brownrigg

Glass is all around us - it is used in windows, lightbulbs, mirrors, bottles, drinking glasses, for our TVs and mobile phones as well as in decorative vases and paperweights. So common place we don't often stop to wonder at the skill taken to produce this versatile material.

Glass has always been found in nature – for example obsidian (volcanic glass) was used by stone age people for cutting tools while Libyan Desert Glass was carved into a scarab beetle as the centrepiece of a gold and jewel decorated breastplate found in King Tutankhamun’s burial chamber.

Pectoral found in King Tutankhamun's burial chamber

Human crafted glass has been around for around 4000 years, often attributed to the people of Mesopotamia, the Ancient Egyptians also made glass beads and jars in about 2500BCE.

Glass was made by mixing sand, soda and lime and heating at a very high temperature in open molds.

This lump of translucent blue glass found by archaeologists

in Iraq is one of the oldest surviving glass objects (British Museum)

Glass portrait thought to be of Amenhotep II
(Corning Museum of Glass, USA)

This glass portrait may be of Amenhotep II, who ruled Egypt about 60 years before Tutankhamun. Glass making may have been introduced during his reign. This head was originally blue but has faded to tan after being buried for a long time. It belongs to the Corning Museum of Glass in America.

About 100BCE a Syrian glassmaker invented the blowpipe and the art of glassblowing using a long tube was created. The glassblower picks up a gob of molten glass at the end of the tube, turns, swirls and rolls it, while blowing air into it.

Another 100 years later, the Romans were producing elaborately decorated drinking glasses – they were especially skilled at carving or etching glass.

The Romans are also thought to be the first to use glass in windows, while the Anglo Saxons also created stained glass windows. Fragments of coloured window glass from the 7th century have been found at excavations of former monasteries in Northumbria.

Stained glass window at Bede’s World

featuring excavated glass.

The stained glass window (above) was reconstructed from pieces of glass excavated from St Paul’s Church, Jarrow, Northumbria. Scientific analysis of the glass revealed that it was made from a combination of recycled glass and chunks of new glass which had been imported from the Levant – present-day Lebanon and Syria.

In Medieval Times glassmakers were so skilled that they could create huge windows of stained glass for churches and cathedrals. The oldest (in-situ) glass from this time can be seen at Canterbury Cathedral.

The Parable of the Sower (Stained Glass window, Canterbury Cathedral)

One of the most famous places for glass making is Venice. In 1291 a law was passed that said Venetian glassmakers had to work and live on the island of Murano.

Barovier Goblet, Murano

This was said to stop the risk of fire spreading from their furnaces to the mainly wooden buildings of Venice, but historians believe it was also to stop them sharing trade secrets – and in 1295 the glassmakers were forbidden from leaving the city!

In the 1900s glass became easier to make, less expensive, and stronger.

Glass windows and containers became everyday features of most homes.

 

Susan's grandfather was a glass carrier

My grandfather worked as a glass carrier for Pilkingtons – known locally as Pilks – the St Helens glass manufacturer. 

I visited the World of Glass Museum, St Helens, to learn more about glassmaking and the history of the Pilkingtons company.
Find out what I discovered by watching this week's Youtube video.

WRITING CHALLENGE:

Choose a glass object pictured in this article as the starting point for a story. It could be the Libyan Desert Glass scarab, a medieval church window or a Murano goblet.

Susan Brownrigg is a Lancashire lass and the author of three historical children's books for ages 8+ - Gracie Fairshaw and the Mysterious Guest & Gracie Fairshaw and the Trouble at the Tower are seaside mysteries set in Blackpool. Kintana and the Captain's Curse is a pirate adventure set in Madagascar.

Susan's books are published by Uclan Publishing. 

They are available from bookshops and online retailers.

susanbrownrigg.com

@susanbrownrigg

susan brownrigg facebook author page

Of burnt cakes and chronicles by Ally Sherrick

This week marks the anniversary of a key event in English history – a turning point which decided the fate of Anglo-Saxon England and if it’s not too grand a claim, the future of the English language too.

In May 878, Alfred, King of the West Saxons – the epithet ‘the Great’ was bestowed on him by admirers in the 16^th century – fought Guthrum, the pagan leader of the invading Danish army at what became known as the Battle of Ethandun (modern day Edington in Wiltshire). It was a battle for the survival of both Alfred and his kingdom of Wessex.

 

King Alfred the Great as portrayed in later times

At the beginning of the same year, he had been beaten back by the Vikings in his own lands and forced to hide out in the marshes of the Somerset Levels. Here, while he considered what to do next so the story goes, a peasant woman, not recognising him as the king, asked him to mind some wheaten cakes she was cooking over a fire. Distracted by the slightly more pressing concern of how to hold on to his kingdom, Alfred took his eye off them and they burnt to a cinder, much to the annoyance of their maker. 

But clearly the thinking time paid off. The win at Ethandun just a few months later allowed Alfred to demand both the baptism of Guthrum as a Christian and more crucially the retreat of the Vikings from the Kingdom of Wessex back to East Anglia.  It was an important victory and one that gave Alfred the breathing space to regroup and live to fight another day.

Many of the things for which Alfred is now rightly celebrated stem from the many years he spent battling the Danes – improvements to the way his army – or fyrd – fought; the introduction of Viking-style long-ships to meet the enemy on their own terms, and the creation of a system of fortified towns or burhs which allowed for better protection of his people in the face of further attacks.

But equally significant was the work Alfred did to encourage the spread of learning through the translation of some key works of religion and philosophy from Latin into English. He even translated some of these texts himself including Pope Gregory the Great’s Pastoral Care – a guide to help bishops and priests lead their congregations and to live a moral life – and which he sent out copies of with a specially crafted aestel or bookmark. It’s believed by historians that the beautiful Alfred Jewel, discovered near Athelney Abbey in Somerset, the site of Alfred’s marshland hiding place, is one of these.

 

The beautiful Alfred Jewel, now in the Ashmolean Museum in Oxford. The words, in Old English, round the side spell out: 'Aelfred Mec Heht Gewyrcan' – or, ‘Alfred ordered me made'

As part of this work to develop a culture of greater literacy, Alfred may also have encouraged the creation of the Anglo-Saxon Chronicle which was first set down during his reign and most likely at his court.

The Chronicle was a combination of history and diary – a record of all the most significant things that had happened in Britain since the first attempted conquest by the Romans under the leadership of Julius Caesar leading up to – and beyond – Alfred’s own reign. It was written in the Anglo-Saxon vernacular – now referred to as Old English – and for the historical element of the text, relied on other earlier sources, including Bede’s Historia Ecclesiastica Gentis Anglorum (Ecclesiastical History of the English People).

 

 A page from one of the versions of the Chronicle showing an entry from the year 871

It is not one single text but rather a collection of separate but related ones. Alfred ordered copies to be made of the original Chronicle and then had them sent out to monasteries across his lands. Updates were issued at future points in time, but scribes working in the individual monasteries added their own entries too. In certain parts of the country, entries continued to be made until well beyond the Norman Conquest, as in the case of the Peterborough Chronicle kept by the monks of Peterborough Abbey in Cambridgeshire.

The Chronicle provides a shared history which historians suggest Alfred hoped would help unite his people in spirit against further Viking attacks – another weapon in his armoury. Entries vary from the record of deaths of well-known people – including kings and queens – to battles and also, in more detailed entries, to whole military campaigns. The majority are written in prose, but there are poems too, including The Battle of Brunanburh, an account of the real-life battle between King Aethelstan, Alfred’s grandson and an alliance of the Kings of Dublin, Scotland and Strathclyde – a conflict regarded as pivotal in the founding of a unified England.

This, one of the more colourful entries, relates to the earlier Viking raids, when bands of Danes and Norwegians came to the shores of Northumbria looking for treasure and slaves:

Year 793

Here were dreadful forewarnings come over the land of Northumbria, and woefully terrified the people: these were amazing sheets of lightning and whirlwinds, and fiery dragons were seen flying in the sky. A great famine soon followed these signs, and shortly after in the same year, on the sixth day before the ides of January, the woeful inroads of heathen men destroyed god’s church in Lindisfarne island by fierce robbery and slaughter.

 

 As with all documents that claim to be historical records of events, the Chronicle should be handled with care – as every historical novelist will know. Events are often reinterpreted and re-presented to suit the needs of those commissioning or keeping the records. But to my mind, it’s all the more fascinating because of that.

Writing Prompt

If you were tasked with writing a modern-day version of the Chronicle, how would you seek to record key events and happenings? Would you try to make them as factual as possible, or would you indulge in a spot of embellishment and perhaps include one or two ‘fiery dragons’ of your own.

Ally Sherrick is the author of books full of history, mystery and adventure including Black Powder, winner of the Historical Association’s Young Quills Award 2017, The Buried Crown and Tudor-Set adventure, The Queen’s Fool. She is published by Chicken House Books and her books are widely available in bookshops and online. You can find out more about her and her books at www.allysherrick.com and follow her on Twitter: @ally_sherrick

Here be dragons! - by Ally Sherrick

I do like a good dragon! The fearsome, treasure-loving Smaug in The Hobbit has got to be one of the best ever. His creator, the celebrated writer and Oxford Professor of Anglo-Saxon, J.R.R. Tolkien modelled him on the vengeful, treasure-hoarding dragon in the epic Old English poem, Beowulf which the legendary monster-slayer and hero must face in the final, epic battle of his life.

The fire-breathing Smaug from ‘The Hobbit’ by J.R.R Tokien,
in an illustration by the author. Can you spot Tolkien’s hobbit hero,
Bilbo Baggins bravely doffing his cap to him? (Authors own photo of postcard)

My own wartime adventure, The Buried Crown has a dragon or two in it too. The book tells the story of two brave children – London evacuee, George Penny and German Jewish refugee, Kitty Regenbogen – who get caught up in a desperate race against time to find and rescue a priceless piece of Anglo-Saxon treasure before a bunch of Nazi treasure-thieves can get their hands on it in a bid to change the course of the war.

 

It was inspired by the discovery of the now famous Anglo-Saxon Sutton Hoo Ship Burial treasure in the summer of 1939, a few weeks before the outbreak of war. Excavating at a site just outside the town of Woodbridge in Suffolk, archaeologists unearthed the remains of what turned out to be an early 7^th century long-ship buried deep beneath the largest of a series of ancient burial mounds belonging to local woman, Edith Pretty.  

The archaeological excavation of the largest burial mound at Sutton Hoo
revealed the impression of a ghostly ship the length
of two double-decker buses (Author’s own photo of postcard)

Though the timbers of the ship itself had rotted way to leave nothing but a ghostly imprint and lines of rusty rivets in the soil, a wooden shelter inside contained goods which ranged from humble domestic objects such as cups, bowls and spoons, to weaponry and gorgeous items of treasure including a purse filled with gold coins, a great golden belt buckle and a magnificent helmet. At the time it was described as the British equivalent of the celebrated Tutankhamun discovery and remains one of the richest archaeological finds in Northern Europe.

Following decades of research by archaeologists and historians, the most widely-held belief today is that the ship was the burial site of the pagan ruler, Redwald, King of the East Angles and High King of Britain and that the goods it contained were intended for use by the king in the afterlife.

One of the many fascinating things about the treasure is the appearance on some of the most precious items, including the famous Sutton Hoo helmet, shield and sword-belt, of dragons. These are very stylised and not at all like the modern idea of dragons as depicted in the movie version of The Hobbit and HBO’s Game of Thrones. But, if you know how to look, they will reveal themselves to you, emerging as creatures with red garnet eyes, beak-like faces and wings either tucked along the length of their body or spread wide, as in the case of the helmet, to form the eyebrows of its awe-inspiring, mask-like face. They are also a part of the celebrated animal interlacing – a trademark feature of much Anglo-Saxon art – and of which the priceless Sutton Hoo belt buckle is a stunning example.

 

Shield boss – Replica of the boss from the king’s shield ringed
by a circle of ‘beaked’ dragons heads with red garnet eyes (Author’s own photo)

Gold and garnet dragon - This highly stylised dragon is one of the shield
mounts and features a fearsome set of spiked jaw, a red garnet eye
and a line of ‘winglets’ fringing both sides of its body. (Author’s own photo)

Replica of the famous Sutton Hoo helmet -
Can you spot the dragons? (Author’s own photo)

The Anglo-Saxons loved – or perhaps I should say lived in dread – of dragons. They believed there were two types. ‘Drakes’, who breathed fire and could fly like Tolkein’s Smaug, and wingless ‘wyrms’ who slithered across the landscape like giant reptiles. The creatures lived inside burial mounds like the ones King Redwald’s ship was discovered beneath at Sutton Hoo, and guarded the treasure buried inside them, exacting the most dreadful revenge on anyone who dared try and steal it away from them.

 

Beware a burial mound like this one at Sutton Hoo – it might be the home of a dragon!
(Photo used by kind permission of The National Trust)

This idea of an ancient and angry treasure-guardian, so powerfully depicted in the Anglo-Saxon epic poem, Beowulf, provided the inspiration for my own ‘story within a story’ in The Buried Crown. Known as The Legend of the Dragon-Headed Crown, it became the ‘foundation myth’ for the magic which leaks into the world of my heroes, George and Kitty as the story progresses.

And the dragons depicted on the treasures at Sutton Hoo – perhaps as protection against thieves? –  gave rise to my own piece of dragon treasure which – spoiler alert! – might just have special powers of its own.

You can visit the real-life treasures found at Sutton Hoo in the Early British Medieval Galleries at the British Museum in London. Or if you can’t make it there in person, check them out on the excellent museum website. And if want to visit the site of the excavations at Sutton Hoo, view the burial mound field and see more exhibits on the treasures and the life and times of the Anglo-Saxons who made and buried them there, why not take a trip to Sutton Hoo itself, now in the property of the National Trust.

Writing prompt

Take a look at dragons in other cultures – either writings or images; historical or modern. How might their depiction inspire you to create a dragon of your own? What might you borrow and what would you discard? What is their purpose, their power, their name? Happy dragon-hunting! 

Ally Sherrick is the author of books full of history, mystery and adventure including Black Powder, winner of the Historical Association’s Young Quills Award 2017, The Buried Crown and Tudor-Set adventure, The Queen’s Fool. She is published by Chicken House Books and her books are widely available in bookshops and online. You can find out more about her and her books at www.allysherrick.com and follow her on Twitter: @ally_sherrick