Showing posts with label barbara henderson. Show all posts
Showing posts with label barbara henderson. Show all posts

Tuesday 3 October 2023

Recycling, Victorian Style: Sweetheart Brooches by Barbara Henderson


Remember that time when we…? We often share precious memories, don’t we? We love to look back on times, people and places which are special to us, or which meant something at the time. Why else would there be such a thriving souvenir trade in tourist hotspots, for example? And photographs fulfil the same purpose – they help us hold on to things and events in the past which we may otherwise forget. The Victorian construction workers who built the first significant steel bridge across the waters of the Firt of Forth were no different – only, they rarely had photography at their disposal. If they wanted a memento of their time spent working on the bridge, they had to be ingenious and thrifty – and they came up with a fantastic solution.
The Forth Bridge is constructed from shaped and cut steel, riveted together by at least 6.5 million rivets. But this sort of construction effort did not come about without waste – there would have been many steel offcuts lying around in the famous workshops on the hillside. The workers found a good use for some of this waste material: jewellery for their loved ones.
Yes, I know it sounds a little strange: taking bits of a bridge and turning the waste material into something to be admired and stared at? The resulting brooches and pendants were often simple in shape, cut using the tools of the steel trade, and polished until they resembled the more precious silver. In addition to cutting, there were skilled engravers on site who knew how to add words and decoration to such jewellery. Imagine your delight if you were a girl, courted by such a bridge worker (“brigger” was the word used for the workforce)! You may find your own name engraved on the brooch, or perhaps the name of your admirer who gave you the piece. Many of the men took great pride in being involved in such important work, and they wanted to shout about it!
Occasionally, the offcuts were worked on by a skilled jeweller instead of the workmen themselves, resulting in a more ornamental, detailed design.
I love that there are still items of jewellery made from bridge offcuts in drawers and attics around the country. If only we knew their stories!
Writing challenge: Think of a person who is special to you: a parent, a friend, a relative… Now think of a place that means something to both of you. Design a brooch or pendant, containing words – what would it say? Now write a card which would accompany such a beautiful and meaningful gift. Barbara Henderson is a Time Tunneller. Her latest historical adventure is Rivet Boy, set during the construction of the Forth Bridge.

Saturday 25 February 2023

World Book Day special - The Time Tunnellers step into the shoes of a favourite character

Happy World Book Day everyone!

We’ve got some great news. We’re thrilled to be able to announce that we have a new member of the team!

Author Matt Wainwright in a flat cap
Author Matt Wainwright

Matt Wainwright, a previous guest poster for the Time Tunnellers is joining us to help dig for the stories in history – and share his love of reading and writing historical fiction for young people.

Matt is the author of the fantastic adventure, Out of the Smoke (Wakeman Trust), which tells the story of young Billy the chimney sweep who, when he finds himself plunged into the criminal underworld of Victorian London, must battle to survive against notorious gang leader, Archie Miller and his friends. Help, when it arrives, comes from a very unexpected source in the shape of the famous educational reformer, Lord Shaftesbury –  the ‘Poor Man’s Earl’. But will Billy’s pride let him accept the offer? And if he turns on Archie, will it mean freedom or certain death?

Book cover of Out of the Smoke by Matt Wainwright. The book is blue and shows a boy leaping between the rooftops in London

What’s it like to be joining our merry band, Matt?

'It's an honour! From the first time I saw the Time Tunnellers assemble I was struck by how enthusiastic and knowledgeable you all are. It's a fantastic initiative, sharing your love for history and the stories it contains, and I feel privileged to be a part of it. I'm also excited to share some of the things I've learned - there is so much to discover in the past, and leading children (and adults!) down some of those paths, exploring the nooks and crannies, will be a real joy. Thank you for inviting me into the team!'

Our pleasure!  We’re really looking forward to having you on board too!

In this week’s blog we’re celebrating World Book Day – and Matt’s arrival on the team – by stepping into the shoes of a favourite character in a great historical fiction read for young people. 

Ally Sherrick holding a copy of The Book of Boy by Catherine Gilbert Murdock

Ally Sherrick: Boy in The Book of Boy by Catherine Gilbert Murdock
(Published by Chicken House Books)

I studied medieval history at university so it was brilliant to have the chance to travel back to those times again in the company of Murdock’s plucky underdog hero, ‘Boy’. When the story opens it is the year 1350 and Boy is looking after the goats that belonged to the lady of the manor before she was carried off by the plague. Boy is different from other people. He can talk with the animals and birds. But he is also taunted and called ‘Monster’ by his fellow villagers because of the hump on his back. So when a mysterious pilgrim stranger – Secundus – arrives in the village and offers Boy the chance to join him on a quest for seven priceless relics – ‘rib tooth thumb shin dust skull tomb’ – he decides to take the risk and join him.

I loved accompanying Boy as he experienced all the incredible sights, sounds and smells of the places he and his new master encountered on their long journey through France and across the sea to the tomb of St Peter in Rome.  And listening in on the conversations he has with the animals and birds he meets on the way. But it is the special secret he keeps hidden from others and which finally brings him the freedom and happiness he craves which enthralled me the most.

A great read for anyone who enjoys historical stories with a twist of magic realism.



Barbara Henderson: Moss in The Executioner's Daughter by Jane Hardstaff
(Published by Egmont)
I credit two books with sealing my love of historical fiction: Mary Hoffman's Troubadour and this, The Executioner's Daughter

The reign of Henry VIII is famous for its many executions - but what if your father is the one whose job it is to do the deed, again and again? Meet Moss. Growing up in the infamous Tower of London with only her taciturn dad for company, she longs to escape. The river flows past, carrying everything away with it - could Moss leave it all behind and find freedom? 

I loved the vivid descriptions of Tudor London, the dangers and secrets Moss has to navigate, and her reluctant friendship with streetwise Salter who survives by thieving. I was with Moss every step of the way, particularly when she realises that there are stranger, deeper powers at work beneath the surface of the Thames. 
My favourite chapter by a country mile was the one about the Frost Fair when the Thames froze over entirely - something that really happened! Moss encounters terrible danger, but so much beauty too. One of those books that stayed with me from the moment I read it almost a decade ago. 

Catherine Randall holding a copy of The Diamond of Drury Lane by Julia Golding

Catherine Randall: ‘Cat’ in The Diamond of Drury Lane by Julia Golding (Egmont)

This thrilling adventure story set in and around the Theatre Royal, Drury Lane, London is narrated by one of the most engaging fictional characters I’ve ever come across. Cat Royal is an orphan who has lived backstage in the theatre ever since she was rescued as a baby by the famous playwright and theatre owner, Mr Sheridan.

As soon as you open the book, you are in Cat’s shoes and completely immersed in the world of late 18th century London. Cat thinks that she is simply guarding a diamond for Mr Sheridan, hidden somewhere in the theatre, but then she becomes friends with the mysterious new Prompt and a talented young African violinist – the new sensation at Drury Lane. It soon becomes clear that much more is at stake than a mere jewel. You experience the sights, smells and characters of Covent Garden market, the backstage of the Theatre Royal and the drawing rooms of Grosvenor Square as if you were there, while Cat and her friends – a wonderful mixture of boys from street gangs and refined young aristocrats – battle to save the ‘diamond’ who is really hiding at the theatre, not to mention their own skins.
This novel is a heady combination of vivid, engaging characters with authentic historical and geographical detail.  

I think Cat is one of the great heroines of modern children’s literature. I couldn't put the book down.

Book cover of The Secrets Act by Alison Weatherby

Jeannie Waudby: Ellen in The Secrets Act by Alison Weatherby (Chicken House)

It would be scary but also interesting and exciting to time-travel back to the Second World War in Ellen’s shoes. She is one of two teenage main characters in The Secrets Act. The story begins with her journey to the codebreaking HQ, Bletchley Park, where she is going to become a codebreaker. I once met a 90-year-old lady on a train and she told me she had worked there during the war. When I asked her what she did, she looked at me and said: ‘It was secret.’

I felt the sheer strangeness of this situation through Ellen’s eyes, travelling from Wales on her own, arriving in the pitch dark of the blackout. Everything is strange and even asking questions feels forbidden and dangerous. This is a tense and exciting story – Ellen meets new people; so many of them young. But always there is the question: who can you trust? This story doesn’t glamourize Bletchley Park; in fact in many ways it feels like a hostile environment with threats and dangers lurking round every corner – including the danger of accidentally committing treason. But it’s also a story of true friendship. 

I recommend this book as a thought-provoking journey into a time of war.

The bookcover of Revolver by Marcus Sedgwick


Matt Wainwright: Stepping into the shoes of … Sig Andersson in Revolver by Marcus Sedgwick

Part of me wouldn’t actually enjoy stepping into Sig’s shoes. Throughout most of the book Revolver, Sig is threatened, bullied and held hostage in his family’s remote Alaskan cabin by the enigmatic and seemingly unstoppable Wolff - which would not make for a particularly pleasant experience!


However, Sedgwick wrote the book so well that you can’t help but feel that you’re right there in the scene with the characters. He conjures up the vast frozen wilderness of the far north of turn-of-the-century America in vivid, startling detail: the crack of ice, the buffeting of the wind, the crunch of freshly-fallen snow. You can see every clouded breath, smell the pungent odours of oil and gunpowder and fur, feel the creeping fingers of perpetual winter worming their way through every crevice … It’s a masterclass of description!


And in the end, of course (no spoilers!) Sig learns how to grow beyond his fear and find a way to stage a near-impossible escape. He’s the kind of character I love: one who starts the story as a person we recognise but wouldn’t necessarily want to be, but who gradually becomes someone we can admire. Which just goes to show that, no matter what era they are from, people throughout history are like us in many ways, with so much for us to learn.



Author Susan Brownrigg with My Friend the Octopus book by Lindsay Galvin

Susan Brownrigg: My Friend the Octopus by Lindsay Galvin
(published by Chicken House)

There is something very calming about wandering around an aquarium - the low light, the gentle movement of the fish and it is the perfect place for 12-year-old Vinnie Fyfe to find solace when she is abruptly sent away by her milliner mother to live with her aunt.

Vinnie loves to draw, and she is soon enchanted by the beauty of the aquatic life around her and especially a fascinating new arrival - an octopus! She quickly realises she has a special connection with the cephalopod and that they can communicate using colour.

I was enchanted by the gorgeous descriptions of how the octopus moves and learned lots about these intelligent, powerful creatures.

This wonderful adventure story is set in Victorian Brighton and the aquarium there - the world's oldest - still exists with it's beautiful period arcade having been lovingly restored. 

I loved exploring the aquarium with Vinnie and meeting her new friends - Charlie and Temitayo - who team up to solve a mystery which opens their eyes to cruelty close to home.

This book is so gripping you will think you have been grabbed by a tentacle or eight!

On this week's You Tube video the Time Tunnellers and our guest authors share their recommended historical reads for World Book Day - to watch CLICK HERE!
 
 

 

Tuesday 17 May 2022

Take a Jaunt to the Jacobites

I have a new book out this week. Yes, right now. It is an exciting and terrifying time for any author – exciting for all the obvious reasons: (excited voice) The book is out there! But terrifying too. All that scrutiny: (squeaky, quivering voice) The book is out there!
The Reluctant Rebel

This time, my time travel takes me to the Jacobite rebellion of 1745 – a topic often taught in Scottish schools. Who hasn’t heard of Flora MacDonald and her daring rescue of Bonnie Prince Charlie, the Stuart figurehead of the campaign who spent more than five months on the run across the Scottish Highlands and Islands in the aftermath of the Battle of Culloden. Information leading to his capture was to be rewarded with 30,000 – an absolutely insane amount of money at that time. And yet, in all that time, he was not betrayed. Despite the comprehensive defeat at Culloden and the disbanding of the Jacobite army, and despite the terrible reprisals which washed over the North of Scotland in particular, the supporters of the Prince remained loyal. Hundreds of them must have known where he was at one time or another – and many risked their lives all over again for the Stuart Prince.
The Battle of Culloden

I wanted to write about that – the aftermath of the campaign. It really was a deadly game of hide-and-seek in which the stakes could not have been higher – most prominent Jacobites were executed. The Prince’s companions changed frequently, but he did pass through one house on several occasions. That’s where I would base my child protagonists, I decided – Borrodale in Lochaber, home of Angus MacDonald and his three sons, all involved in the Jacobite campaign. It was where it all started at the beginning of the campaign in July 1745, and it would be where the Prince would turn for shelter at his hour of greatest need. In addition, the last sea battle in British waters took place in the loch beside the house – and the government forces burnt Borrodale down in revenge too. What a story.
Borrodale House in Moidart, rebuilt after the original house was burned down in retribution

Here are three jaunts which inspired this tale. 1. National Trust for Scotland, Culloden Battlefield.

The bothy on Culloden Battlefield

We have lived in Inverness for most of the last two decades. Every time we have visitors, we take them to the nearest tourist attraction of note. The battlefield is beautiful in summer, but it is atmospheric and full of tragic history. The battle which was fought between government forces representing the Hanoverian King George’s protestant government and the Jacobites who favoured the catholic Stuart royal family was the last land battle on British soil. The terrain was unsuitable, the Jacobite army was heavily outnumbered and outgunned – and to add insult to injury, they had spent the night on a misguided failed attempt to surprise the enemy. They never stood a chance. I have visited countless times. 2. Finlay, an elderly friend from my church invited us to spend a day driving to the West Coast with him, the area of his birth. Halfway, somewhere in Glen Moriston, he made us stop the car. Walk with me a minute,’ he said and led us to the hidden memorial to a little known Jacobite called Roderick Mackenzie.

Roderick Mackenzie’s memorial at Glenmoriston

While the Prince was on the run, Roderick, bearing a strong resemblance to the famous Bonnie Prince Charlie, acted as a decoy. It is said that even as the government forces shot him, he exclaimed ‘You’ve killed your Prince!’, buying the real Charles Edward Stuart precious time to escape. A short drive later, he made us pull in again, this time to the house of an acquaintance. ‘Show her your collection, Donald,’ he urged his friend. The man produced several jam jars of Jacobite musket balls, all found in the stream behind his croft. I will never forget it. History was here, right beneath our feet. 3. The third trip was intentional – I had stumbled across the story, but by now I was determined to research my tale. My other half has long been used to my ulterior motives when I suggest family trips. Our romantic weekend in Lochaber was no more than a list of places I needed to check out – the lie of the land, yes – but also the research riches in local museums. The weather was dubious – but who cares – my head I was firmly located in 1746, and the here and now was practically irrelevant. We tiptoed around Borrodale, played tourist at Glenfinnan, explored the beaches along Loch nan Uamh and speculated which of the many caves had played host to the Prince all those years ago.

Glenfinnan where the ’45 rebellion began

My hope is my readers of The Reluctant Rebel may not have to visit the area – perhaps I have evoked enough of that world in the pages that they can picture Archie’s and Meg’s life: Gaelic, beremeal bannocks, horses, and yes, secrets. But perhaps the story will whet their appetite to visit too. Then they can tread the ground where the fugitive Prince Charles Edward Stuart ran for his life.

The statue of Flora MacDonald overlooking the River Ness in Inverness

Barbara on the day she first received copies of the Reluctant Rebel

More about the book: There it is again, hope. The defeat and the despair I can stand, but it’s the hope that kills me, as if the Cause wasn’t lost, as if Father hadn’t died in vain. As if any one of us could possibly come out of this alive… Following the death of his father, 13-year-old Archie MacDonald has lost faith in the Jacobite Cause. Having witnessed their clan’s terrible defeat at the Battle of Culloden, Archie and his feisty cousin Meg flee back to Lochaber to lie low. Or so they think. Until the fugitive Prince’s life depends on them. When Prince Charles Edward Stuart looks to the people of Borrodale for help, will the young stable boy support the rebellion that has cost him so dearly? With enemies closing in, the Prince’s fate now rests in the hands of a stable boy and a maid with a white cockade. Who will survive this deadly game of hide-and-seek? Praise for The Reluctant Rebel 'I loved it! It's a rip-roaring adventure. Meg and Archie are great characters.' – Maggie Craig Order: https://www.luath.co.uk/new-releases/the-reluctant-rebel

Tuesday 8 March 2022

Girl Power during the Highland Clearances - a #WomensHistoryMonth Special

When I was at Edinburgh University in the nineties, I studied John McGrath’s play The Cheviot, the Stag and the Black, Black Oil. It’s a remarkable piece of writing and as someone who had grown up on the continent, this aspect of history was news to me. It was my first encounter with the Highland Clearances, and I resolved to travel to Sutherland one day to find out more. At that point I was interested, but no more. Fast forward almost twenty years. It wasn’t until the windy summer of 2013 that I finally managed to make good that promise to myself – and by that stage I had acquired a husband, three children and a dog. I had struggled to find an accessible book about the Clearances for my two girls ahead of the holiday. I was feeling buoyant that summer – after what felt like hundreds of rejections, one of my manuscripts was shortlisted for the Kelpies Prize. So, while in the ‘maybe-I-can-be-a-writer-after-all’ bubble, I stumbled upon the ruins of Ceannabeinne, outside Durness, above the world's most beautiful beach.
On the information panels connecting the walk through the ruins, it explained about the Durness riots (riots? In a place like this?) – and how a rebellion against the Clearances was started by the women and children of the village. Underestimating their resolve, the land manager had sent the eviction writ on a day that all the men and boys were away thatch-cutting – in the misguided expectation that the women would be a pushover and there would be no trouble. The villagers would simply be sent away to make room for the more profitable sheep. But somehow, records tell us, the women of Ceannabeinne managed to overwhelm the messenger and forced him to burn his own writ. This is even more remarkable when you know that simply touching the document would make it legally binding! I still wonder how they actually did it, but one thing was clear: here was an opportunity to focus on the female perspective of that part of history. What a story, and never written about in fiction. It was a rare gift – many details were in place, but there was all the room for speculation I needed, too. What if the catalyst for the rebellion was a kid? And the story just rolled in from there, like the waves on Ceannabeinne beach.
There were other books about that part of history, but written in the sixties and falling into easy, and perhaps lazy, gender stereotypes. Girl: Oh no, I am so scared! What are we going to do? (wrings hands) Boy: (rolls up sleeves) Well, let me just sort this out with my fisticuffs! You get the idea. I was hoping for something a bit more relatable, and here was the perfect story to try. However, the story is much, much wider than just the Highland Clearances. It’s about the haves and the have-nots, about the responsibility that comes with power, so often abused. And it’s about the individuals who choose to try to make a difference, as best as they know how. ‘Be a force for good,’ one of the characters tells Janet at the height of the crisis, ‘It’s all I can tell you in these times.’ That, to me, is quite a relevant thing in our times, too. Displacement, as Janet experiences, is all around us on a global scale. There is nothing parochial about this tale, which is why it really appealed to me to write about. On that first holiday, I collected everything I could about the incidents of 1841. The best part was that somebody had recently researched the history of the village, local historian Graham Bruce. Not only did I read everything he wrote about the subject, but I also cheekily approached him and asked if he’d read the first draft to check for historical accuracy – and the kind man did! I have still never met him in person. In 2014, I took a day to spend in Ceannabeinne itself. Walking and moving there and assigning houses to the various characters really helped. The Stathnaver Museum in Bettyhill filled in any remaining gaps in my knowledge – I finally felt able to write the book!
I wanted Janet to be feisty, and a real independent spirit, so that modern girls can see themselves reflected in her. In Janet’s society, women really didn’t count for much, and it definitely appealed to me that the women were the ones who defended the village from the first eviction writ’s delivery, overwhelming the Sheriff officer. Of course, this really happened as all the men were away. Janet is caring and loyal, but not afraid of conflict either – just like modern youngsters, she is at odds with teachers and peers at times. I like the idea that a young person can sometimes see what adults can’t. Janet’s impulsive nature has landed her in lots of trouble, but at this crisis point, Janet is exactly what the village needs. We can all make a difference.
‘Be a force for good’ is now what I sign into the book every time a youngster buys one. A good reminder to us all.

Thursday 3 March 2022

World Book Day special - How to find readers for your book by Barbara Henderson

That’s it! You are a published author, and you are holding your finished product in your hand!
Wait - how on earth will anyone know about it?
Some big publishers have a team and a budget for that sort of thing – but sadly, Blue Peter appearances and international publicity campaigns await only the lucky few. For the vast majority of authors, publicity is something they have to do themselves – and perhaps that is a good thing! You can play to your strengths and get creative! It need not cost anything either. Here are some examples of what promoting your book could involve.
 
Blog tour – who knew, but there are a whole lot of book enthusiasts who have their own websites – blogs – on which they review books. The usual arrangement is that they will be sent a free copy of the book by the publishers in exchange for an honest review. The organisation of these blog tours often falls onto the writer. Sometimes the author may also write interesting articles or related content for these blogs to create some online buzz – most book bloggers are very active on social media, and if they like your book, it can really help.

Press releases – This was news to me, but newspapers and magazines rarely cover new book releases unless they are sent a press release first. This means that the author writes an article about themselves and the book in the 3rd person, as if a newspaper journalist had written it. All the information needs to be correct - and if you also attach some high-quality images, you have a good chance of the press picking up on your story. It’s even better if you have a topical hook, like an anniversary of a historical event, or a connection to something that people are already talking about. You may have to tailor your press release to the publication you are targeting. TV and radio will also be interested in featuring you if there is a strong topical hook – think of it as a Venn diagram between your book and what people are already talking about. If there is overlap, you have a way in.
 

Book Trailer – Video content makes it 34% more likely that your audience will engage! Even a short film on YouTube advertising your book, much in the style of film trailers (with teasers and engaging images), can generate a lot of awareness, and of course it can be shared on Twitter, Facebook and Instagram too.

Social media – It is a great thing for an author to be active on social media but be wary of posting endless ‘buy my book’ style content. It will soon turn your audience off. Readers and potential buyers want to get a flavour of who you are and connect with you. Be real! Images of rapt audiences at your events or screenshots of good reviews (with a humble-ish caption) go down well and increase your profile. But be sure to show support for others and their work too.

Finally, don’t be shy – opportunities for publicity are everywhere. Pitch yourself as a writer in residence! Suggest a book event to your local library! Start a YouTube channel or podcast! Connect with book festivals and like-minded writers. Seek collaborations. Contact organisations which may have an interest in your book. Join groups and forums and ENGAGE, earning yourself a hearing for your own agenda.  Have a go – you won’t regret it!

Someone once advised me: Don’t worry about being pretty. Be memorable. Be kind.
Good advice. 
 
The Time Tunnellers are five authors who write historical novels for
children and young adults -
Susan Brownrigg, Barbara Henderson, Catherine Randall,
Ally Sherrick and Jeannie Waudby.
Every Thursday we share a new blog article on a different topic
and a youtube video with a writing challenge for young people and teachers.


 

Monday 28 February 2022

World Book Day special - what does a publisher do? by Catherine Randall

You’ve found a publisher for your book. What happens next?

Sadly, a publisher will never take your manuscript and say, ‘Great, that’s perfect, we’ll send it to the printer!’ It has to be worked on by quite a few people first. The good news is that all these people will help to make your book the best it can possibly be.

 Firstly, an EDITOR will read the manuscript carefully and suggest any changes they’d like to make to big things like the plot or the characters. They may even ask you to change the ending or get rid of a whole character! These suggestions can be difficult for you as the author, but I’ve found that however hard you’ve worked on a book yourself, it will always benefit from having a fresh pair of eyes looking at it, especially when those eyes belong to an experienced editor.

Once both you and the editor are happy with any changes, the book is sent to the copy-editor.

The COPY-EDITOR is responsible for going through the manuscript line by line, checking for spelling mistakes, grammatical errors and over-used words. The copy-editor makes sure that the story you want to tell is clear for the reader. They also check for consistency so, for instance, if a character has blue eyes in chapter 2, they can’t have brown eyes in chapter 10.

While the copy-editor is doing their work, the manuscript will be sent to the DESIGNER. The designer makes decisions about how the finished book will look. Here’s a double-page spread from Barbara Henderson’s book Black Water to show you the sort of decisions the designer has to make.  


The DESIGNER will then combine the finished, copy-edited text with their finished design and produce proofs showing what the book will look like when it is printed. After these have been checked again by everyone, including the author, the book is finally ready to go to the printer.

But you might have noticed that there’s something very important missing! Ally Sherrick will tell you all about that tomorrow ….


 

The Time Tunnellers are five authors who write historical novels for
children and young adults -
Susan Brownrigg, Barbara Henderson, Catherine Randall,
Ally Sherrick and Jeannie Waudby.
Every Thursday we share a new blog article on a different topic
and a youtube video with a writing challenge for young people and teachers.

Using the setting in your writing as another character with Ruth Estevez

  Most of my books are set in my native Yorkshire, and knowing the landscape intimately, means I can describe it with the love I have for ...