The Mary Rose: Ship of Stories

In my Tudor-set adventure, The Queen’s Fool, my heroes, young orphan girl, Cat Sparrow and her new-found friend, French boy, Jacques Bonhomme find themselves voyaging across the English Channel to Calais as part of King Henry VIII’s entourage bound for the grand Anglo-French peace celebrations at the Field of Cloth of Gold in June 1520.

Contemporary painting of Henry VIII's flagship, 'The Mary Rose'

The sea journey presented a brilliant opportunity to include an exciting chase scene with the villain which results in poor Jacques falling overboard and which leads on to a dramatic ‘reveal’ that hopefully young readers won’t see coming.

To write these shipboard scenes meant that I needed to understand the layout and construction of Tudor ships, how you might have boarded them – by small boats and a set of ropes, ladders and nets as it turns out – and what life both above and below deck was like for passengers and crew.

A key primary resource proved to be an ‘old friend’ – the wreck of King Henry’s favourite warship and flagship, The Mary Rose, which had been part of the king’s escort of ships that day on the journey across to France.  I’m fortunate enough to live within an hour’s drive of Portsmouth Harbour where, over four centuries after her dramatic sinking at the end of Henry’s reign, the remains of The Mary Rose were discovered and, in 1982, brought to the surface in an event broadcast across the world.

A miraculous resurrection 

In fact it was as a teenager that I paid my first ever visit to see what was left of The Mary Rose, not long after she first went on public display in the mid 1980s in a covered dry dock

at the Portsmouth Historic Dockyard – though at the time the surviving timbers of the wreck were heavily veiled in plastic and being sprayed with water to keep them from drying out. I returned several times over the years as they were further treated with preserving chemicals and then, finally, air-dried. 

'The Mary Rose' as she looks today on display at Portsmouth Historic Dockyard

I was also keen to see the amazing artefacts which had been excavated from the wreck and put on display after conservation, in a new, purpose-built museum on the site. So in a small way I got personally caught up, like so many other visitors over the years, in the story of the exciting discovery, ground-breaking excavation and conservation of the ship.  

But the wreck of The Mary Rose harbours other, equally fascinating stories. These include the part the ship played in the history of the early English navy, how she came to sink on that fateful day back in 1545 and the lives – and deaths – of the men who formed her crew.

Pride of a king

For 34 years after her construction and launch in Portsmouth in 1511, The Mary Rose was the pride of King Henry VIII’s navy. A 600 ton carrack and one of the earliest known examples of a purpose-built sailing warship, she was reputedly built to the young king’s own design. She saw a number of actions over the years in battles and skirmishes against the French navy and in the defence against King James IV of Scotland’s attempted invasion of England. And records also show that she underwent a substantial refit during the 1530s with the addition of a number of extra, heavy guns.

 Portrait of Henry VIII by Hans Holbein

Her final action took place on 19^th July 1545, when she was part of an English fleet of 80 vessels involved in a face-off against over 200 ships of the French navy gathered in the Solent – the stretch of water between Portsmouth Harbour and the Isle of Wight. The French were on a mission of revenge for Henry VIII’s capture of the French town of Boulogne the previous year, and Henry himself came down to watch the action from nearby Southsea Castle.

But what actually caused The Mary Rose to sink? A surviving eye-witness reported that, seeking to engage the enemy, she fired first from her starboard side, then turned about to fire from her port side. But as she made the turn, her sails were caught by a gust of wind and she was blown over. This resulted in her still-open starboard gun-ports taking on water as they dipped below the waterline.

The sinking of the Mary Rose in the Solent (detail from The Cowdray Engraving)

Alternative theories emerged over time including that there had been too many guns and soldiers on board, or that the earlier refit of the vessel had resulted in some fundamental design flaws. There was even the suggestion that the officers or crew might not have been up to the job. The French themselves maintained they had holed the ship with a cannonball, though none of these claims has ever been convincingly substantiated.

Whatever the full story, it took no more than a handful of minutes for The Mary Rose to disappear beneath the waves with the loss of almost the entire crew. Estimates vary but it is believed over 450 men drowned that day with around only 35 survivors. 

A porthole into the past

For me the most intriguing stories are to be found in the huge haul of archaeological treasures painstakingly excavated from the mud of the seabed. These represent a sort of Tudor time-capsule, illuminating both the operation of a ship of Henry VIII’s navy and the day-to-day lives of the mariners, soldiers, gunners and servants on board. Stand-out items include the ship’s bell; the cannon bearing the King’s personal Tudor rose symbol; the chests of Yew longbows and thousands of arrows for use by the archers in battle; the two great brick ovens and cauldrons and the eating utensils used to serve the crew their food, not forgetting the detachable mast-top which crowned the ship’s main mast.

Just some  of the archery bows, arrows and other weapons salvaged from the wreck

Other highlights are the more personal items belonging to individual crew members, all of them male, most young adults and some just boys. These range from leather shoes, jerkins and hats to dice, gaming boards and musical instruments including something called a shawm – an early type of oboe. Also writing materials including ink pots, quill pens and even leather book covers, though the pages have long since rotted away. 

A leather jerkin (left), and a home-made gaming board, fiddle and bundle of needles and thread (right)

                                                             

 Leather book cover 

And then there are tools of the trade belonging to men of the ship’s company such as the carpenter – including his mallet, planes and rulers – and the surgeon, whose belongings – his canisters  of ointments, metal syringes and a bowl to collect the patient’s blood during blood-letting – I found particularly intriguing because of a crucial scene I set in the surgeon’s cabin on board ship in The Queen’s Fool. 

 Items from the surgeon's chest     

Finally, there are the remains – human and animal – which tell their own tales. For example the bones of men believed to have been archers, which show the stress caused to arm and shoulder muscles and joints by the regular shooting of many arrows. And the isotope analysis of teeth which has allowed historians to demonstrate that the crew were not only of English origin but that some of them came from places as far afield as the Mediterranean and North Africa.

'Hatch', the ship's dog

And perhaps my favourite find of all – the skeleton of a small dog discovered outside the carpenter’s cabin.  Nicknamed Hatch by the museum team and identified from his bones as a sort of terrier, similar to a modern day Jack Russell, he is believed to have been the ship’s ratter. And as relatively few rat bones were found in the wreck, the museum staff reckon he must have been pretty good at his job!

Scarcely any personal information is known about the individuals who went down with King Henry VIII’s great flagship that day nearly 500 years ago. But through the treasure-trove of objects rescued from the deep, we are part way at least to bringing them and their stories back to life.

 More information about the fascinating and inspirational artefacts and stories connected with The Mary Rose is available from the museum website here.

View Ally’s video on The Mary Rose on YouTube Kids here.

Ally Sherrick is the award-winning author of stories full of history, mystery and adventure.

BLACK  POWDER, her debut novel about a boy caught up in the Gunpowder Plot, won the  Historical Association’s Young Quills Award. Other titles include THE BURIED CROWN, a wartime tale with a whiff of Anglo-Saxon myth and magic and THE QUEEN’S FOOL, a story of treachery and treason set at the court of King Henry VIII. Ally’s latest book, published in February 2023 with Chicken House Books, is VITA AND THE GLADIATOR, the story of a young girl’s fight for justice in the high-stakes world of London’s gladiatorial arena.

Ally’s books are available from bookshop.org.uk and all good high street bookshops

For more information visit Ally's website. You can also follow her on Twitter @ally_sherrick

World Book Day special - The Time Tunnellers step into the shoes of a favourite character

Happy World Book Day everyone!

We’ve got some great news. We’re thrilled to be able to announce that we have a new member of the team!

Author Matt Wainwright

Matt Wainwright, a previous guest poster for the Time Tunnellers is joining us to help dig for the stories in history – and share his love of reading and writing historical fiction for young people.

Matt is the author of the fantastic adventure, Out of the Smoke (Wakeman Trust), which tells the story of young Billy the chimney sweep who, when he finds himself plunged into the criminal underworld of Victorian London, must battle to survive against notorious gang leader, Archie Miller and his friends. Help, when it arrives, comes from a very unexpected source in the shape of the famous educational reformer, Lord Shaftesbury –  the ‘Poor Man’s Earl’. But will Billy’s pride let him accept the offer? And if he turns on Archie, will it mean freedom or certain death?

What’s it like to be joining our merry band, Matt?

'It's an honour! From the first time I saw the Time Tunnellers assemble I was struck by how enthusiastic and knowledgeable you all are. It's a fantastic initiative, sharing your love for history and the stories it contains, and I feel privileged to be a part of it. I'm also excited to share some of the things I've learned - there is so much to discover in the past, and leading children (and adults!) down some of those paths, exploring the nooks and crannies, will be a real joy. Thank you for inviting me into the team!'

Our pleasure!  We’re really looking forward to having you on board too!

In this week’s blog we’re celebrating World Book Day – and Matt’s arrival on the team – by stepping into the shoes of a favourite character in a great historical fiction read for young people. 

Ally Sherrick: Boy in The Book of Boy by Catherine Gilbert Murdock
(Published by Chicken House Books)

I studied medieval history at university so it was brilliant to have the chance to travel back to those times again in the company of Murdock’s plucky underdog hero, ‘Boy’. When the story opens it is the year 1350 and Boy is looking after the goats that belonged to the lady of the manor before she was carried off by the plague. Boy is different from other people. He can talk with the animals and birds. But he is also taunted and called ‘Monster’ by his fellow villagers because of the hump on his back. So when a mysterious pilgrim stranger – Secundus – arrives in the village and offers Boy the chance to join him on a quest for seven priceless relics – ‘rib tooth thumb shin dust skull tomb’ – he decides to take the risk and join him.

I loved accompanying Boy as he experienced all the incredible sights, sounds and smells of the places he and his new master encountered on their long journey through France and across the sea to the tomb of St Peter in Rome.  And listening in on the conversations he has with the animals and birds he meets on the way. But it is the special secret he keeps hidden from others and which finally brings him the freedom and happiness he craves which enthralled me the most.

A great read for anyone who enjoys historical stories with a twist of magic realism.

Barbara Henderson: Moss in The Executioner's Daughter by Jane Hardstaff

(Published by Egmont)

I credit two books with sealing my love of historical fiction: Mary Hoffman's Troubadour and this, The Executioner's Daughter. 

The reign of Henry VIII is famous for its many executions - but what if your father is the one whose job it is to do the deed, again and again? Meet Moss. Growing up in the infamous Tower of London with only her taciturn dad for company, she longs to escape. The river flows past, carrying everything away with it - could Moss leave it all behind and find freedom? 

I loved the vivid descriptions of Tudor London, the dangers and secrets Moss has to navigate, and her reluctant friendship with streetwise Salter who survives by thieving. I was with Moss every step of the way, particularly when she realises that there are stranger, deeper powers at work beneath the surface of the Thames. 

My favourite chapter by a country mile was the one about the Frost Fair when the Thames froze over entirely - something that really happened! Moss encounters terrible danger, but so much beauty too. One of those books that stayed with me from the moment I read it almost a decade ago. 

Catherine Randall: ‘Cat’ in The Diamond of Drury Lane by Julia Golding (Egmont)

This thrilling adventure story set in and around the Theatre Royal, Drury Lane, London is narrated by one of the most engaging fictional characters I’ve ever come across. Cat Royal is an orphan who has lived backstage in the theatre ever since she was rescued as a baby by the famous playwright and theatre owner, Mr Sheridan.

As soon as you open the book, you are in Cat’s shoes and completely immersed in the world of late 18th century London. Cat thinks that she is simply guarding a diamond for Mr Sheridan, hidden somewhere in the theatre, but then she becomes friends with the mysterious new Prompt and a talented young African violinist – the new sensation at Drury Lane. It soon becomes clear that much more is at stake than a mere jewel. You experience the sights, smells and characters of Covent Garden market, the backstage of the Theatre Royal and the drawing rooms of Grosvenor Square as if you were there, while Cat and her friends – a wonderful mixture of boys from street gangs and refined young aristocrats – battle to save the ‘diamond’ who is really hiding at the theatre, not to mention their own skins.

This novel is a heady combination of vivid, engaging characters with authentic historical and geographical detail.  

I think Cat is one of the great heroines of modern children’s literature. I couldn't put the book down.

Jeannie Waudby: Ellen in The Secrets Act by Alison Weatherby (Chicken House)

It would be scary but also interesting and exciting to time-travel back to the Second World War in Ellen’s shoes. She is one of two teenage main characters in The Secrets Act. The story begins with her journey to the codebreaking HQ, Bletchley Park, where she is going to become a codebreaker. I once met a 90-year-old lady on a train and she told me she had worked there during the war. When I asked her what she did, she looked at me and said: ‘It was secret.’

I felt the sheer strangeness of this situation through Ellen’s eyes, travelling from Wales on her own, arriving in the pitch dark of the blackout. Everything is strange and even asking questions feels forbidden and dangerous. This is a tense and exciting story – Ellen meets new people; so many of them young. But always there is the question: who can you trust? This story doesn’t glamourize Bletchley Park; in fact in many ways it feels like a hostile environment with threats and dangers lurking round every corner – including the danger of accidentally committing treason. But it’s also a story of true friendship. 

I recommend this book as a thought-provoking journey into a time of war.

Matt Wainwright: Stepping into the shoes of … Sig Andersson in Revolver by Marcus Sedgwick

Part of me wouldn’t actually enjoy stepping into Sig’s shoes. Throughout most of the book Revolver, Sig is threatened, bullied and held hostage in his family’s remote Alaskan cabin by the enigmatic and seemingly unstoppable Wolff - which would not make for a particularly pleasant experience!

However, Sedgwick wrote the book so well that you can’t help but feel that you’re right there in the scene with the characters. He conjures up the vast frozen wilderness of the far north of turn-of-the-century America in vivid, startling detail: the crack of ice, the buffeting of the wind, the crunch of freshly-fallen snow. You can see every clouded breath, smell the pungent odours of oil and gunpowder and fur, feel the creeping fingers of perpetual winter worming their way through every crevice … It’s a masterclass of description!

And in the end, of course (no spoilers!) Sig learns how to grow beyond his fear and find a way to stage a near-impossible escape. He’s the kind of character I love: one who starts the story as a person we recognise but wouldn’t necessarily want to be, but who gradually becomes someone we can admire. Which just goes to show that, no matter what era they are from, people throughout history are like us in many ways, with so much for us to learn.

Susan Brownrigg: My Friend the Octopus by Lindsay Galvin
(published by Chicken House)

There is something very calming about wandering around an aquarium - the low light, the gentle movement of the fish and it is the perfect place for 12-year-old Vinnie Fyfe to find solace when she is abruptly sent away by her milliner mother to live with her aunt.

Vinnie loves to draw, and she is soon enchanted by the beauty of the aquatic life around her and especially a fascinating new arrival - an octopus! She quickly realises she has a special connection with the cephalopod and that they can communicate using colour.

I was enchanted by the gorgeous descriptions of how the octopus moves and learned lots about these intelligent, powerful creatures.

This wonderful adventure story is set in Victorian Brighton and the aquarium there - the world's oldest - still exists with it's beautiful period arcade having been lovingly restored. 

I loved exploring the aquarium with Vinnie and meeting her new friends - Charlie and Temitayo - who team up to solve a mystery which opens their eyes to cruelty close to home.

This book is so gripping you will think you have been grabbed by a tentacle or eight!

On this week's You Tube video the Time Tunnellers and our guest authors share their recommended historical reads for World Book Day - to watch CLICK HERE!

 

 

 

The place that time forgot – a journey back to Roman Britain by Ally Sherrick

When I was about eight years old, our parents took me and my younger sister on a family holiday down to Cornwall. I remember, among other things, visiting St. Michael’s Mount, exploring Land’s End and beachcombing on the white sands at Sennen Cove. But the stand-out memory was the trip we made to the ancient ruins of the village of Chysauster (pronounced Chy-zoist-er).

Set a couple of miles inland from the town of Penzance on a remote hillside nestled amid the bracken and wild grasses, the low stone walls are all that remain of a small Romano-British community which archaeological evidence suggests was probably occupied from the first to the third centuries AD when the Roman Empire was at its height.

I still have the little folded card leaflet and black and white postcards I bought on that trip – treasured possessions for a keen young historian who, inspired by the recent blockbuster exhibition of the Tutankhamun treasures at the British Museum, harboured an overwhelming, though ultimately unfulfilled passion to be an Egyptologist.

I remember running from one ruined house to another trying to imagine what life must have been like for the people who lived there and who, all those many centuries ago, had called it home.

Back then, it seemed to me that the place was at the end of the world. On a return trip this summer retracing the footsteps of my younger self, though there’s now a small ticket office and shop, English Heritage, who care for it, have thankfully ensured the site still retains the same sense of remoteness and beauty it had all those years ago.

 

 A walk back in time through the ruins of Chysauster Romano-British village

For the Romanised population based in the far distant capital of Londinium (London) and the south of England, it certainly would have seemed a very long way from home. As was the case in what is now Scotland, the Romans never brought the region under formal control, or made an attempt to settle there either. There are no known Roman roads in Cornwall and only three military forts and one villa have been identified to date. And the nearest Roman administrative centre, Isca Dumnoniorum – or Exeter as it is known today – was over 100 miles away.

The lifestyle of the close-knit community of around fifty to seventy people who lived at Chysauster had far more in common with that of their Iron Age ancestors who had widely settled and farmed the area for hundreds of years before the Roman invasion of AD 43. Indeed, the village itself may well stand on the site of an earlier Iron Age settlement.

 

 Artist’s impression of how Chysauster may have looked in the Second Century AD

The ruins the visitor can explore today are the remains of ten ‘courtyard’ houses, a design unique to this part of Cornwall where over 30 known settlements of the type have been identified. Nearly all the houses are detached with a large, unroofed central courtyard where livestock was probably kept and domestic work carried out. The families would have lived and slept in the covered rooms leading off from the courtyard. Each house also had a garden plot where they would have grown vegetables and may have kept pigs.

 

Ruins of one of the courtyard houses

Unfortunately, there’s nothing to tell us about the personal stories of the individuals who lived here. However they did leave behind clues to suggest how they lived. This includes a large number of spindle whorls – small stone and clay discs fitted to wooden spindles for making thread from wool – which provide evidence they kept sheep and wove cloth to wear and perhaps for trading purposes too. Meanwhile the numbers of grinding basins and quern stones used to grind grain into flour together with ancient pollen samples taken from the surrounding fields show that they grew cereal crops. 

 

Ancient spindle whorls. These are not from Chysauster but give a good idea of what they look like

While excavating the site, archaeologists also found a lump of tin and evidence of metalworking waste in one of the houses. This suggests the villagers possibly carried out prospecting for locally occurring tin-ore and might have smelted it down into ingots to trade for other items with surrounding communities and other people from further afield.

It’s not known why Chysauster was eventually deserted in the third century. There’s no sign of any conflict which might have caused the families living there to flee.

But perhaps the greatest mystery of all is the structure on the edge of the village known as a fogou.

 

The entrance to the fogou at Chysauster

The word comes from the Cornish for ‘cave’ and describes an underground, stone-built tunnel which usually dates from the late Iron Age period. The fogou at Chysauster hasn’t been excavated, but in the one at the nearby ruined village of Carn Euny, it’s possible to walk through the tunnel and into a large, circular chamber.

 

The inside of the fogou chamber at the ruined village of Carn Euny

In the past it was thought that such structures might have been used for storing food or valuables, or as hiding places during times of conflict. The more popular theory today is that they were probably used for some sort of ritual or ceremonial purpose.  This is just the sort of uncertainty that a story-teller can have fun with. All you need is a pinch of curiosity and the willingness to let your imagination take you where it will – a bit like my eight year old self.

Finally, to let you in to a little secret. This might just be the approximate time, though not the exact place, in which my upcoming novel is set. All to be revealed in early 2023!

Writing Prompt

Imagine you live in a small settlement like the one at Chysauster. One night, something happens. Something that threatens you and your family and which means you need to hide. You’ve never been into the fogou before. Perhaps it’s normally forbidden. But now it might be your only chance of survival. What does it feel like running through the darkness to get to it? Then stooping and crawling inside? Who are you with? What are you feeling? Did you have to leave anyone or anything precious behind? And most important of all, will you manage to get out alive?

Watch this week's vlog on Youtube here

Ally Sherrick is the author of books full of history, mystery and adventure including Black Powder, winner of the Historical Association’s Young Quills Award 2017, The Buried Crown and Tudor-Set adventure, The Queen’s Fool. She is published by Chicken House Books and her books are widely available in bookshops and online. You can find out more about her and her books at www.allysherrick.com and follow her on Twitter: @ally_sherrick

    

 

 

World Book Day special - How is a book cover made? by Ally Sherrick

The old saying, ‘You can’t judge a book by its cover’ might be true for people. But in the case of an actual book cover, though it won’t tell you how well-written it is, it offers up some big clues about what sort of story you’ll encounter inside.

Besides the all-important title, these clues are delivered through a combination of artwork used, colours applied and the description, or cover-blurb on the back.

When I visit schools, children always want to know more about this mysterious-seeming process and whether the author has any say in the finished version.

I’m very lucky in that regard, because my publisher, Chicken House Books does like to involve its authors in the business of coming up with a cover.

Like many other writers, I usually create ‘mood boards’ of images which help inspire the development of my story. I post these on Pinterest and share them with my publisher so that, in addition to the writing, they have something visual to help spark ideas for a cover design.

A clip from my mood board for Black Powder

In the meantime, they’ve been busy thinking of what sort of artistic style would work best, studying portfolios of work by possible artists. For my first book, Black Powder, about two children caught up in the Gunpowder Plot, they selected Alexis Snell, an artist who specialises in making prints from linocuts. You can watch a short video of how she made the lino-cut for the cover here.

Once the cover illustration is finished, the publisher sends it to a design studio to experiment with different colour-ways and design the spine.

 

Two different colour-ways for Black Powder created by Steve Wells, the designer.
We chose the one on the right which we thought was the strongest.

Next, the publicity team gets to work with writing the all-important description – or ‘blurb’ – which tells you, the potential reader what the story is about. The aim here, using as few words as possible, is to persuade you that it’s the book for you.

 

The cover blurb – which needs to be as short
and exciting-sounding as possible ...

Once the design and blurb are finalised, the book is ready for printing. The cover artwork is sent to the printers with instructions for the weight and type of paper to use, along with requests for any special finishes such as embossing or coloured foil.

 

Black Powder was lucky enough to be
given the gold foil treatment!

And then it’s over to the printer to weave their magic ...

 

The Time Tunnellers are five authors who write historical novels for
children and young adults -
Susan Brownrigg, Barbara Henderson, Catherine Randall,
Ally Sherrick and Jeannie Waudby.

Every Thursday we share a new blog article on a different topic
and a youtube video with a writing challenge for young people and teachers.

You had me at hello – Ally Sherrick reveals what it is that makes the opening of a favourite book so special

This tear-jerker of a line spoken by the romantic heroine in the 1996 Hollywood movie Jerry Maguire after her successful sports agent husband makes a last ditch attempt to save their marriage, might not at first glance appear to have too much to do with a roll-call of classic novels that have endured the test of time. But it does if you think about how some of the best of them begin.    

 ‘All children except one, grow up.’

‘It was a bright cold day in April, and the clocks were striking thirteen.’ 

‘In a hole in the ground there lived a hobbit.’ 

These are all great story openers. Whether for children or older readers, they are lines that draw you in, make you curious, even desperate to find out more.

Every one of us will have our favourites of course.

This is the one which resonates most with me. As with the others, you’ll know which book it comes from, I’m sure:

‘There was no possibility of taking a walk that day.’

With that line Charlotte Bronte pushes open the door to her story, inviting the reader to step inside. To find out who is speaking and why something as simple as a walk is such an impossiblity. And the person who lies waiting on the other side? Why it’s poor, unloved young orphan, Jane Eyre. She’s hiding behind a thick red curtain in a window seat, doing her best to escape both the rainstorm outside and the harsh treatment by her adoptive family within by burying her head in a book. But it’s not just any old book. It’s one full of shipwrecks, abandoned churchyards and ghosts. Pure catnip for any bookworm, especially if, like me, you enjoy reading stories with a gothic twist.

Caption: From film version of Jane Eyre (2011)

And now you’re in, there’s plenty more the author does to keep you there – to make you want to read on.

At first it seems that Jane has been successful in getting away from the scolding tongue of her Aunt Reed and the cruel taunts of her three cousins. But this is merely the calm before the real storm. All too quickly Jane’s hiding place is discovered by her nemesis, John Reed, the bully-boy of an older cousin who likes nothing better than to taunt and belittle his poor relation.

You’re well and truly hooked now. What is going to happen to poor Jane? Will she manage to slip past him? Escape his clutches and run to her room? But no. The beastly John has trapped her. True to form, he humiliates her, reminding her that if it wasn’t for them, she’d be on the streets begging. Then, after trying unsuccessfully to make her call him ‘Master’, he turns violent. Snatching up the book she’s been reading, he throws it at her, knocking her to the ground.

But Jane isn’t the sort of heroine to take things lying down. She gets to her feet and shouts back at him and when John raises his hand to strike her, she makes to defend herself. We’re well and truly on her side by now – but what will happen next? John is so much bigger than she is ...

It’s then that the author delivers her master-stroke. The door bangs open and in walks Jane’s Aunt Reed, a woman who we know already from what Jane tells us, refuses to blame her beloved son, John for any of his many crimes. Who calls him her ‘own darling’ and believes he can do no wrong. Jane’s troubles have clearly gone from bad to worse. We are compelled to stay with her, to find out what might be in store, though we have a nasty feeling already that it will not end well.

And of course, it doesn’t. Things become worse still. Jane is accused of starting the fight and on her aunt’s orders, the servants cart her away and lock her in for the night in the dreaded ‘Red Room’, a place Jane believes to be haunted by the ghost of her long-dead uncle. She falls down in a faint and ... Well, if you don’t know the story already, the author will surely have done more than enough by now to encourage you to read on.

 

I was lucky enough to have the chance to do my own
retelling of ‘Jane Eyre’ for schools

Jane Eyre was first published in 1847. It is a book of its time – the many credibility-stretching coincidences of plot, the unsympathetic portrayal of Mr Rochester’s mentally-ill wife, Bertha Mason, and the final third of the novel in which Jane comes perilously close to becoming the missionary wife of her devoutly religious cousin, St. John Rivers, are a serious test for our credulity and modern sensibilities. But all that withstanding, it is deservedly a classic, not least because of its brilliant opening pages, which for me, ensured that it did indeed have me at hello ...   

This week's YouTube writing challenge is available to watch here.

Ally Sherrick is the author of books full of history, mystery and adventure including Black Powder, winner of the Historical Association’s Young Quills Award 2017, The Buried Crown and Tudor-Set adventure, The Queen’s Fool. She is published by Chicken House Books and her books are widely available in bookshops and online. You can find out more about her and her books at www.allysherrick.com and follow her on Twitter: @ally_sherrick

Ally's version of Jane Eyre is available to buy here.