Showing posts with label John McGrath. Show all posts
Showing posts with label John McGrath. Show all posts

Tuesday, 8 March 2022

Girl Power during the Highland Clearances - a #WomensHistoryMonth Special

When I was at Edinburgh University in the nineties, I studied John McGrath’s play The Cheviot, the Stag and the Black, Black Oil. It’s a remarkable piece of writing and as someone who had grown up on the continent, this aspect of history was news to me. It was my first encounter with the Highland Clearances, and I resolved to travel to Sutherland one day to find out more. At that point I was interested, but no more. Fast forward almost twenty years. It wasn’t until the windy summer of 2013 that I finally managed to make good that promise to myself – and by that stage I had acquired a husband, three children and a dog. I had struggled to find an accessible book about the Clearances for my two girls ahead of the holiday. I was feeling buoyant that summer – after what felt like hundreds of rejections, one of my manuscripts was shortlisted for the Kelpies Prize. So, while in the ‘maybe-I-can-be-a-writer-after-all’ bubble, I stumbled upon the ruins of Ceannabeinne, outside Durness, above the world's most beautiful beach.
On the information panels connecting the walk through the ruins, it explained about the Durness riots (riots? In a place like this?) – and how a rebellion against the Clearances was started by the women and children of the village. Underestimating their resolve, the land manager had sent the eviction writ on a day that all the men and boys were away thatch-cutting – in the misguided expectation that the women would be a pushover and there would be no trouble. The villagers would simply be sent away to make room for the more profitable sheep. But somehow, records tell us, the women of Ceannabeinne managed to overwhelm the messenger and forced him to burn his own writ. This is even more remarkable when you know that simply touching the document would make it legally binding! I still wonder how they actually did it, but one thing was clear: here was an opportunity to focus on the female perspective of that part of history. What a story, and never written about in fiction. It was a rare gift – many details were in place, but there was all the room for speculation I needed, too. What if the catalyst for the rebellion was a kid? And the story just rolled in from there, like the waves on Ceannabeinne beach.
There were other books about that part of history, but written in the sixties and falling into easy, and perhaps lazy, gender stereotypes. Girl: Oh no, I am so scared! What are we going to do? (wrings hands) Boy: (rolls up sleeves) Well, let me just sort this out with my fisticuffs! You get the idea. I was hoping for something a bit more relatable, and here was the perfect story to try. However, the story is much, much wider than just the Highland Clearances. It’s about the haves and the have-nots, about the responsibility that comes with power, so often abused. And it’s about the individuals who choose to try to make a difference, as best as they know how. ‘Be a force for good,’ one of the characters tells Janet at the height of the crisis, ‘It’s all I can tell you in these times.’ That, to me, is quite a relevant thing in our times, too. Displacement, as Janet experiences, is all around us on a global scale. There is nothing parochial about this tale, which is why it really appealed to me to write about. On that first holiday, I collected everything I could about the incidents of 1841. The best part was that somebody had recently researched the history of the village, local historian Graham Bruce. Not only did I read everything he wrote about the subject, but I also cheekily approached him and asked if he’d read the first draft to check for historical accuracy – and the kind man did! I have still never met him in person. In 2014, I took a day to spend in Ceannabeinne itself. Walking and moving there and assigning houses to the various characters really helped. The Stathnaver Museum in Bettyhill filled in any remaining gaps in my knowledge – I finally felt able to write the book!
I wanted Janet to be feisty, and a real independent spirit, so that modern girls can see themselves reflected in her. In Janet’s society, women really didn’t count for much, and it definitely appealed to me that the women were the ones who defended the village from the first eviction writ’s delivery, overwhelming the Sheriff officer. Of course, this really happened as all the men were away. Janet is caring and loyal, but not afraid of conflict either – just like modern youngsters, she is at odds with teachers and peers at times. I like the idea that a young person can sometimes see what adults can’t. Janet’s impulsive nature has landed her in lots of trouble, but at this crisis point, Janet is exactly what the village needs. We can all make a difference.
‘Be a force for good’ is now what I sign into the book every time a youngster buys one. A good reminder to us all.

VIKING ATTACK! Write a DUAL NARRATIVE ACTION SCENE

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