Showing posts with label advertising. Show all posts
Showing posts with label advertising. Show all posts

Thursday 29 June 2023

The History of soap - from Mesopotamia to Port Sunlight by Susan Brownrigg



Who discovered soap and when isn’t known, but 3,000 years ago the Sumerians in southern Mesopotamia (now Iraq) were using a soap solution made up of ashes and water to remove grease from wool and cloth ready for the dying process. Because of the grease on the material this created a soap which cleaned the fabric.

Ancient Roman legend tells us that the word soap came from Mount Sapo. The story says that animal fats from sacrificed beasts mixed with wood ash would be washed by rain into the Tiber River. Washer woman using the river to clean their clothes found that the sudsy river produced much cleaner clothes.

Romans would rub olive oil into their bodies to get clean, then scrape off the dirt, sweat and oil off with a special tool called a strigil.

Athletes would use strigils to remove dirt,
 dust and oil from their skin after exercise.
Strigil from Science Museum Collection.

According to Pliny the Elder in his chronicle, soap was invented by the Gauls. They used a mixture of ash and tallow (animal fat) to make hair shiny. Pliny also mentioned that Germans used a hard soap and a soft soap.

In the Middle Ages, soap was being made in Britain by craftsmen who passed their skills from father to son and master to apprentice. This soap was not for personal hygiene, but to prepare wool for dying. Bristol, Coventry and London each produced their own variety.

While, Castile, in Spain and Marseille in France, added olive oil to their soap recipes meaning their soap was of a much better quality, but expensive. Castile soap was recommended for wealthy Tudor ladies.

In one household manual adding ‘sage, marjoram, camomile, rosemary and orange peel to washing water was suggested.

Queen Elizabeth I was said to have a bath every four weeks, ‘whether it was necessary or not’!


A 15th century illustration of bathing

Soap works by lifting germs from the skin, then the water washes the germs away.

The Industrial Revolution improved the standard of living for ordinary people, they could now afford to buy decent soap and running water was common in houses.

The government wanted people to understand the importance of health and hygiene.

The Prime Minister removed the tax on soap manufacture and on paper which was wrapped around it, making it cheaper for soap companies to make very large quantities.

 


William Lever

One of the soap makers to take advantage of this, was William Lever. He was born in Bolton in 1851, the seventh of ten children. His father was a grocer. 

William joined the business as an apprentice, aged 16. One of his first jobs was cutting soap. At this time, soap was sold to grocers in long bars and the grocer would cut it into crude blocks, sold by weight, and wrapped in newspaper.


Cutting soap (Unilever Archives)

William became partner in the renamed Lever & Co when he was just 21. By 33 he was wealthy, but bored and he decided to focus on marketing soap.

Following an American idea, he decided to sell quality soap, cut into standard ‘tablets’ in individual packages sold under a recognisable brand name.

He leased an existing soap works in Warrington and called his new soap - Sunlight.


Sunlight soap (Author's photograph)

Sunlight soap used glycerine and vegetable fats instead of tallow which could smell bad.

The soap was very successful and soon a new, bigger soap works was needed. William Lever wanted to build a factory from scratch - and he decided on an area of marshy land criss-crossed with creeks near Birkenhead, Wirral. His plans included a purpose-built village for the workers – he named it Port Sunlight.

The village included housing, a village hall, shops, a school, a church and a girl’s hostel for the female employees who travelled from Liverpool at 5.30 am.

Today the girl's club is Port Sunlight Museum, which I visited to learn more about the history of the village.


Port Sunlight Museum (Author's photograph)

There are lots of interesting displays, including this wonderful display of soap products aimed at children. William Lever wanted brand loyalty from a young age! He gave away novelties with products and tokens you could save towards larger toys. He also liked to include images of children in his advertisements as they represented innocence and honesty. 


Soap products and novelties on display at
 Port Sunlight Museum (Author's photograph)

Port Sunlight villagers were said to have worked hard and played hard. By 1909, there were 28 clubs and societies in the village.

William Lever also created two holiday camps for his workers to visit at Thurstaston, Wirral and Rivington Pike, near Bolton.

He also built a gymnasium, and an outdoor swimming pool which used warm water from the glycerine works at Port Sunlight.


School at Port Sunlight

The first school opened in 1896 and boys and girls were taught together, with up to 50 in a class. William Lever said: "A child without education is like a worker without tools."

The factory included Number 1 soapery, a wharf and various buildings for storage and printing of packaging and advertising materials.

William Lever believed in the power of advertising - and used newspapers and railway stations to promote his products. He used catchy slogans and bright artworks and to reassure customers of the product's superiority he offered a £1000 purity guarantee!



Sunlight soap advertisement

Lever went to art exhibitions in London and bought pictures which he had copied, adding the Sunlight brand name and slogan. Art was a passion of William Lever's - and he built the Lady Lever Art Gallery, in Port Sunlight, which you can visit.


A bath tub and soap was added to this painting
to become an advertisement for Sunlight soap

To compare original paintings with the advertisements you can read this article by Liverpool Museums.

The packing of soap was done by women in the factory, they worked for 8 hours a day, standing, with only one break – an hour for lunch.

At Port Sunlight men and women had separate entrances and started their shifts at different times. They also ate in separate dining halls.

Women were paid less than men and they had to leave their job when they got married (widows could work). A married woman was expected to look after her family and keep a clean home. Company officials would check regularly to make sure their house was clean and tidy!

Only married couples could rent a cottage in the village. Each had a front garden and back yard, and they could also have use of an allotment. Any vegetables and flowers they grew could be taken home.

Today as well as enjoying a guided tour around the village, with its many different house styles you can also buy a ticket to see inside one of the worker's cottages.


William Lever was one of the first employees to bring in health and safety rules for employees and Lever Brothers had an excellent safety record. Conditions were better than at most factories, and workers got long service awards and a pension when they retired. William Lever also had a cottage hospital built in the village in 1907 and introduced a fire brigade!

You can also visit Soap Works, an interactive exhibition that looks at the science of soap.


Soap Works (Author's photograph)

The Soap Works attraction and also includes a display which explores the business operations of William Lever in the Congo, where Lever Brothers sourced palm oil for their soap. 


Display at Soap Works

William Lever planned to build an African version of Port Sunlight in Lusanga, which he renamed Leverville. He wrongly thought the British way of doing things was better for the people of Lusanga.

And while William Lever had a good reputation for looking after workers in England, the practices of the company he set up - Les Huileries du Congo Belge (HCB) did not match this. Indeed HCB forced labourers to work against their will and for very little pay. 

Port Sunlight Village Trust continues to explore this troubling area of William Lever's life.

In 1906 William Lever became an MP, in his maiden speech he urged the government to copy the old age pension plans he had created for his workers.

William Lever was made a Baronet in 1911, becoming Sir William, and Elizabeth became Lady Lever. She died suddenly in 1913, so when he was made a Baron in 1917 and then a Viscount in 1922, he combined his own name with his late wife’s maiden name to create the title ‘Leverhulme’.

He died in 1925 and his tomb can be seen at Christ Church, Port Sunlight.


Lord Leverhulme's tomb in Port Sunlight (Author's photograph)

WRITING CHALLENGE

Taking inspiration from William Lever, who was a big believer in the power of advertising I would like you to write your own advertisement!

It can be for soap - even Sunlight soap - or for any household object, perhaps a favourite toy! You might like to make up some outlandish claims for what wonderful things your product will do for customers - will it make them super popular, send them into space or something else! You can be as outrageous as you like!

Susan Brownrigg is a Lancashire lass and the author of three historical children's books for ages 8+ - Gracie Fairshaw and the Mysterious Guest & Gracie Fairshaw and the Trouble at the Tower are seaside mysteries set in Blackpool. Kintana and the Captain's Curse is a pirate adventure set in Madagascar.

Susan's books are published by Uclan Publishing. 


 

Friday 10 March 2023

Ghost signs: messages from the past by Matthew Wainwright

 
The high street was another matter: now that the day was underway it was a crawling, heaving, swelling mass of life. Horse-drawn omnibus carriages rumbled constantly to and fro, overflowing with passengers, advertisements in bold letters plastered over every available surface. 
Out of the Smoke - Chapter 15

Advertising, in one form or another, has been around since the dawn of civilisation. From political messages inscribed on a tablet in ancient Egypt, to interactive video screens on the streets of present-day Tokyo, people have always tried to get their messages across to other people in the most effective way possible.

The Narmer Palette: It possibly depicts the unification of the Upper and Lower Kingdoms in Ancient Egypt.

You could argue that the Victorian era was a boom time for advertising. The middle classes were becoming more well-off, which meant they had money to spare for all kinds of things that would make their lives easier. And this meant that companies had a growing market to appeal to.

In the 19th century you could find adverts everywhere: in newspapers, in magazines, in books, on the sides of omnibus carriages, and on the sides of buildings. The average person in a Victorian town centre of any size was bombarded with colourful images and slogans wherever they went.

Street advertising in 19th century London
Watercolour by John Orlando Parry, "A London Street Scene" 1835, in the Alfred Dunhill Collection

Virtually all of these adverts have now disappeared, except where they are captured in drawings and photographs or preserved in museums. But if you look a little more carefully, you may just see the echoes of some of these adverts on the buildings around you …

Stroll through just about any medium-sized town or city in England, and you will see a jumble of different kinds of buildings. Some of these buildings are new — all glass and steel — and others are old, built of red brick. On the sides of some of these buildings, if you look carefully, you might just see something called a ghost sign!

A ghost sign lurking behind some more recent advertising ...

Ghost signs are … well, just that: they’re the ghosts of old advertisements, originally painted directly onto the sides of buildings and now faded — sometimes almost to nothing.

Can you spot the ghost sign ...?

The earliest record of a painted advert is from 1803, when a German visitor wrote about a sign advertising razor blades in Ludgate Hill — which means that ghost signs are a window that enables us to look over 200 years into the past!

Ghost signs can tell us the kind of shops and businesses that were around in an area, what people were most interested in, and what business wanted people to buy.

A ghost sign advert for an estate agent in South London

They can also tell us about the language that people used: instead of advertising a cafe, for instance, you might see ghost signs talking about a ‘dining room’ or a ‘coffee and dining room’. It’s a fascinating insight into the way people spoke, recorded right there on a wall for everyone to see!

I love things like ghost signs. They’re a reminder that history isn’t just in the past: it’s all around us, right there for us to see. If you take a moment, stop and look at your surroundings, you’re sure to find something that someone has left behind. My advice is: look up. You’d be surprised what you might see on the side of a building or perched on a roof!


Writing challenge

Imagine a child living 200 years in the future. They come across a ‘ghost sign’ left over from today! 
  • What is the sign they find? Is it an advert for a game or a film, or perhaps for a new book? Is it a shop sign?
  • What do the surroundings of the sign look like? Is it still a town or a city, or has it become something completely different?
  • How would that child feel about the sign, and what would they think about the people who made it (us)?
A modern painted sign in London that might become a ghost sign one day ...

Write a short scene of the child discovering the sign. Describe the sign and its surroundings, and write what the child thinks and feels about the sign. Happy writing, and keep time tunnelling!

 

Matthew Wainwright is an author of historical fiction for children and teenagers.

Out of the Smoke is available at all good bookshops and online.

You can find out more about Matthew and his books on his website.

Seaside history - Wondrous Winter Gardens by Susan Brownrigg with free school resources

  In the late 19th and early 20th century holidaying at the seaside became extremely popular in Britain. The expansion of the railways meant...